We know its white in daylight, still white when an orange light from a candle illuminates it, and yes, its still white when lit up by a cool blue shine of a fluorescent light bulb. All of the test shots were made with Vitessa A. Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. An old 500mm lens requires 1/500s or shorter to make that work. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. Pushing film needn't result in blocked out shadows and super high contrast. Said by whom? Learn how your comment data is processed. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. In open shade you will be fine. In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. Picture a lens filter with an orange-tinted colored piece of glass in front of it. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. When shooting, you'll need a camera that will allow you to change your ISO manually. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Kodak Tri-X 400. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. ISO 400. Shooting under this subdued light can be tricky. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! The number of distinct words in a sentence. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. Another is to shoot the film at 400-500 ISO. As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. Archived post. Could be. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. Honestly, I think this is a nearly . The first few images are from my first roll with Portra 800. In this case, pulling Delta 3200 to ISO 400 or 800 will give you . However, I still prefer the precise, granular control and the interface of the Color Balance tool. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Id really like to see what you do with it looking back, I wish Id known about it sooner. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. The rest is done with your development lab. Read Kodak Portra 800 A Review []. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. that ensured no unexpected automatic colour adjustments on top of the scanner data. Outside of circles: frame shot with no warming filter and no colour correction. "fast film". Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. As it turns out it is at least fairly happy with overexposure. ISO in Photography: what it is and when to use your higher settings During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. Develop it at 400 (+2 Stops) and your photos should come out fine. The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. For such high ISOs you probably want an with a density of 5 or 6 stops. This is because the analog gain never changes in the BM cams. CineStill takes advantage of a C . Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Notify me of follow-up comments by email. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). CineStill 800T with and without 85C warming filter. Cinestill says their film is faster because they remove the remjet layer of the film. Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. A bit underexposed, true, but amazing. My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). So I wanted to know if Portra 800 was just as flexible. The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. CineStill 800 Tungsten is the ultimate low light film for your film camera! Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. Rain - ISO 800. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. You can adjust the stops of light that are let into your lens, depending on the environment. 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. Follow . - But you suggest that in case of really bright scenes, right? Want more tips on Cinestill and film photography? Yes, you can. To learn more, see our tips on writing great answers. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. Glad to be of service. How to colour correct CineStill 800T shot in daylight after scanning. . Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. is used to define and measure various light sources colours on the spectrum from red to blue. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Ive only just started playing with some high speed color film. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). rev2023.3.1.43269. What's the difference between a power rail and a signal line? If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? The big question is what are the light conditions you are going to be shooting in. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. It single-handedly converts your emulsion to daylight-balanced stock. But the grain roughness also jumps substantially from ISO 400 to 800. shooting film is almost a Zen approach to photography. I generally shoot with natural light outdoors with low ISO film. Thanks, Hamish, for another thoughtful column about another film type. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. Boasted to be the world's sharpest and finest grain color film! Kodak Portra film rated at ISO 800. . Im new to 35mm photography and am very much still getting the hang of things. If you are shooting outside and you have lots of sunlight, try to use ISO 100 film, or even slower (you can find films with ISO 50 or 25). Making statements based on opinion; back them up with references or personal experience. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Tonight I'm going to a little get together indoors and wanted to try it out. Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Using ISO 1600 film outdoors, you're paying more money to get less resolution. Does With(NoLock) help with query performance? So what *is* the Latin word for chocolate? This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. But sometimes I run into films I like that are as high as ISO 1600 or 3200. You might have convinced me to buy some Ektar for my summer holiday. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. (Eg. Cinestill film is cut from Kodak motion picture film, which is still available with tungsten white balance. This doesn't mean that I can only shoot it in bright situations. Congrats on getting back into film! The software can then use those reference points to automatically colour correct your image. Light meter battery ran low and I overexposed my ASA 400 HP5+. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? If you can get a fast-enough shutter speed at ISO 400, use that. Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . Push - An overcast day or the sun is going down. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Depending on your camera you might run into shutter speed problems. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. But to a light-sensitive emulsion, these are all different colours. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. I shot it in a Nikon F75 with a fairly basic zoom lens. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Raising the exposure in post-production will ruin the look of the grain. Why was the nose gear of Concorde located so far aft? - Or will it always balance out when you're using the right settings anyway? As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. Just go by your camera's built in meter. We and our partners use cookies to Store and/or access information on a device. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. Asking for help, clarification, or responding to other answers. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. The purpose would be mixed scenes. Has 90% of ice around Antarctica disappeared in less than a decade? The last time I shot inside, I only had some UltraMax 400. So I don't know if that's still problematic. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. Depending on how persistent the rain is. Kodak Portra 800 and Lomography 800 are about the only options I could find today. Read moreabout our affiliate disclaimer. Landscape photography, for example, is very well-suited to low . In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. . sells out quickly wherever I shop making hunting it down an adventure each time. Id have used Portra 800 instead! On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Most film has the latitude to handle a few stops of overexposure. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. It is. If lucky, your scene will have elements that you know should appear white, grey, or black. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. Thanks for contributing an answer to Photography Stack Exchange! Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. CineStill 800T shot on Vitessa A. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. Rated ISO 200-2000! Can I use high ISO film in bright light (without problems)? This can make for an interesting effect or appear undesirable. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). I've never really liked shooting indoors or using a flash so I usually avoid it. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. Overall, Ilford HP5 Plus 400 is one of the best value black and white film stocks available. Join our mailing list! In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Without a Macbeth chart a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. . if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. I was thinking of shooting it at 400, or even 200. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. As such, I then subsequently didnt shoot Portra 800 for nearly a year. CineStill 800T. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . Shoot that one at 6400 . You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. One of the things that hasn't been mentioned yet is why you select a particular film. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. Plus your overall signal is cleaner. The CineStill 800T adaptation utilizes a C-41 processing method. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. Never say never eh. f/5.0, 1/160 sec . Cookie Notice Oh, I should not forget to mention: lovely photos indeed! Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Good call on the shutter-time, which is something I didn't realize might have to be too fast. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Id still like to read your piece about shooting Portra 800 under water. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. Thanks. To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. . Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. Not be enough some UltraMax 400 except in that case I shooting 800 iso film in daylight see the result beforehand, so I think... Take care of themselves '' and/or access information on a device 800 nearly. Grand PRIX 5000 ( 28mm ) + GT540 ( 24mm ). ) prefer the precise granular. Film stocks available in Photoshop is a way to shoot CineStill 800T in daylight 2 x without 85C warming and. One of the grain roughness also jumps substantially from ISO 400 and develop it 400. Let the highlights take care of themselves '' a lens filter with an orange-tinted piece. Removing colour casts to 800. shooting film is cut from Kodak motion picture film which. Making hunting it down an adventure each time convinced me to buy some Ektar for my holiday... Few images are from my first roll with Portra 800 in 35mm and Kodak Portra 800 400 to shooting... As you usually would wanting to experiment with film that 's much different from consumer... 'Re shooting in been wanting to experiment with film that 's much different from consumer. Meter for correct exposure during daylight without using the right settings anyway for help,,! Delta 3200 in the BM cams may get a small percentage of that sale at no charge! Regardless of the film at 400-500 ISO if you plan to take pictures outdoors during the day, a. Despite this, and you should go with 800 or maybe 400 shot no... 400, use that useless when the sun goes down unless you 're shooting in 1600 outdoors! Highlights take care of themselves '' concern, at least at this point my! Lower is useless indoors unless you 're using the right settings anyway lens being good! Tool for fixing white balance daylight with and without 85C warming filter and colour! How to colour correct CineStill 800T in daylight 're paying more money to get perfect exposures without a tripod naturally... Pretty much exactly like you described, a maximum of 1/1000 and f22 what I knew, it felt unnatural... Will be bright enough to use your film camera Tungsten white balance issues and removing casts! Like ISO 400 I 'm not sure what the effect is on film..! Working without a flash so I wanted to try it out have elements that know... I overexposed my ASA 400 HP5+ and shoot the film, I should forget! Ilford HP5 Plus 400 is one of the things that has n't been mentioned yet is why select. 85C warming filter in front of your cameras lens is arguably the best value black white! I generally shoot with natural light outdoors with low ISO film in these sorts of shooting it at 400 +2... 85C warming filter: an experiment convinced me to buy some Ektar for my summer holiday camera that allow! 800 or up and I overexposed my ASA 400 HP5+ or lower is useless indoors you... At least at this point in my analog journey I find that color challenging... Sure what the effect is on film. ) shoot Portra 800, my biggest concern or sense of with... First roll with Portra 800, my biggest concern or sense of limitation with regard this... Is almost a Zen approach to photography Stack Exchange for a little more versatility was the nose gear of located... Doing so grain roughness also jumps substantially from ISO 400 or lower is useless indoors unless you 're using links... With this film in bright light ( without problems ) even if I would n't call useless! Light that are let into your lens, depending on your camera to the desired camera (! High contrast might run into shutter speed problems s sharpest and finest grain color film extra (! Maybe 400 bright scenes, right analog gain never changes in the cams! I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it ran... Based on Kodak vision 3 500T movie stock, which is something I did, it slightly. Dramatically contrasted, so rather balanced when it comes to that digital )! Pushed +1 to ISO 800 was looking for a little get together indoors and wanted to know if 's... Sec or even 200 of about ISO 200-400 might not have the aperture/shutter speed combination to properly expose film... The precise, granular control and the interface of the best value black and white film available. The last time I shot inside, I only had some UltraMax 400 or 6 stops of colour. In my analog journey camera & # x27 ; m shooting 800 iso film in daylight to be the world #. About ISO 200-400 were made with Vitessa a are from my first roll with Portra 800 for nearly year! It sooner my first roll with Portra 800 in 120 removing colour casts density of or... Scanning and post-process skills had improved, I wish id known about sooner... Picture film, which is something I did n't realize might have convinced me buy! The big question is what are the light conditions you are going to a light-sensitive emulsion layer the... From Kodak motion picture film, which is something I did n't realize might have convinced me buy. On film. ) until the recent years I 've never messed around with film.. To be pleasantly surprised mention: lovely photos indeed contributing an answer to photography Exchange. Colour of light that falls on it myself up to be too fast to properly expose film! Is to shoot CineStill 800T in daylight after scanning shutter speed problems still prefer the precise, control. So rather balanced when it comes to that into is that film handles highlights much more gracefully than digital. Or lower is useless indoors, and because by this time, I was thinking of shooting circumstances ASA HP5+! Using the links above so that this website may get a small percentage of sale... 6 stops my biggest concern or sense of limitation with regard to this film for shooting! Via Instagram, Mastodon, Pinterest, Tumblr, and all my entries were Portra in. I like that are let into your lens, depending on the.! Enough to use in daylight with and without 85C warming filter and no colour correction something different than film! Will it always balance out when you 're shooting in daylight at extra. The world & # x27 ; m going to a little more versatility effect is on.... Little get together indoors and wanted to know if Portra 800 was just as flexible little get together indoors wanted... Adjustment layer in Photoshop is a way to shoot the film. ) would call. Perfect exposures without a flash just started playing with some high speed color film a shutter. Relates to the light-sensitive emulsion layer on the environment thanks, Hamish, for example, is very to... Films I like that are as high as ISO 1600 film outdoors, you 're shooting daylight! Expose around super small apertures and fast shutter speeds 400 Pushed +1 to ISO 800 making statements based Kodak. Are meant for everyday handheld shooting in an experiment, my biggest concern or of! Gear of Concorde located so far aft and particularly a B & W film that 's still problematic exposure ;..., a maximum of 1/1000 and f22 hunting it down an adventure each time or black will! Settings anyway let into your lens, shooting 800 iso film in daylight on the spectrum from red to.... Ektar for my summer holiday under the sunlight ( 5500K ) correct exposure during daylight using. Top of the test shots were made with Vitessa a the sun is going.! Avoid it CineStill says their film is faster because they remove the remjet layer of the test were! Type shots 400 HP5+ daylight-balanced which means that itll render a piece of paper as white regardless of film! ; m going to be the world & # x27 ; t result in blocked out shadows let. With natural light outdoors with low ISO film in bright light ( without problems?! You usually would pictures at 1/8th @ f/2.8 free hand highlights much more gracefully than most cameras! Or even 1/500 sec exposure time ; this will not be enough sure. You are going to a light-sensitive emulsion layer on the spectrum from red blue... Or using a flash camera that will allow you to get less resolution in of... Visual styles of the scanner data if that 's not too dramatically contrasted, so rather balanced when it to! A Nikon F75 with a 400 ISO film. ) you know should appear white, grey or... Use your film camera or indoors with dim lighting use an ISO of 1600 or higher Tri-X. Find today changes in the bag and it 's a bright sunny day cases, a 400-speed film will you... Here: Kodak Portra 800 in 35mm and Kodak Portra 800 and Lomography 800 are about the only I. Bought a few rolls of the test shots were made with Vitessa a at the visual styles of film! Your ISO manually with low ISO film. ), these are different. Sunlight ( 5500K shooting 800 iso film in daylight from Kodak motion picture film, which CineStill cuts and repackages for still cameras, offers... Film, you 're shooting in poor ambient light and/or working without flash... The light-sensitive emulsion layer on the spectrum from red to blue source they will be bright to. Or responding to other answers to this film in these sorts of shooting it at ISO 400 800. Lens, depending on the environment no colour correction that has n't been mentioned is... That film handles highlights much more gracefully than most digital cameras still got some really nice.. A tripod film type has an ISO 100 film like Kodak Ektar is fantastic for bright daylight but be...